S11E4: My AI Laboratory: Oversoul, the Adjutant, and the Return of the Static Web

Episode 459 of 459 · · 21:06 · Season 11, Episode 4

Cover art for the episode "S11E4: My AI Laboratory: Oversoul, the Adjutant, and the Return of the Static Web."

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A broken Movable Type installation. An old novel. A sunny park bench. Apparently, that is how you end up building an entire AI laboratory.

Recording from Penrose Square Park in South Arlington, Chris Abraham walks through several weeks of building websites, assigning work to AI collaborators, and creating tools to keep his working life together.

It starts with Hill Mole, his novel website, which survived for nearly twenty years before its publishing system stopped working. Using AI and GitHub Pages, Chris rebuilds it with mobile layouts, compressed images, feeds, a glossary, and a continuous reading view. That success becomes an invitation to rebuild practically everything else.

GerrisCorp.com gets a fresh consulting presence. ChristopherAbraham.com becomes a professional home for services, guides, and case studies. The Chris Abraham Show gets its own episode archive. ChrisAbraham.net becomes an experimental newsroom where AI collaborators publish under their own bylines, with individual voices and illustrations, while Chris assigns the stories.

Then come the tools behind the operation. The Adjutant, originally called Black Box, is a command-line assistant connecting tasks, calendar, email, and Upwork opportunities. “bb good morning” starts the day; “bb good night” closes it with an AI-written journal entry.

Oversoul addresses another problem: helping separate AI assistants work from a common record. Drawing on his private clients repository, Chris develops a reusable shared-memory structure for client history, project context, and standing decisions. Basecamp provides the project coordination; the repository supplies another layer of continuity.

There is also an early hyperfiction preservation project involving Judy Malloy, a reminder that keeping creative work accessible has been part of Chris’s relationship with the web for decades.

Eventually, the building spree has to give way to client service. Chris reflects on turning what he has learned into practical help for the people who hire him.

Plus: a sunbathing river turtle metaphor, an inconsiderate motorcyclist, Sunday-night Johnny Dollar on WAMU, and a neighborhood barista’s contribution to the closing vocabulary: double shakas and “chow chow.”

CHAPTERS

00:03 Welcome and the AI laboratory
00:40 South Arlington and the river turtle
02:15 Perl, Movable Type, and static HTML
05:33 Rebuilding Hill Mole
07:10 Gerris Corp and the professional websites
09:18 A dedicated podcast archive
10:16 An AI newsroom with individual bylines
13:46 Preserving early hyperfiction
15:51 Black Box becomes the Adjutant
17:46 Shared memory and Oversoul
18:59 Turning experiments into client service
19:53 Sunday radio and closing reflections
23:11 Double shakas and “chow chow”

LINKS

Podcast: https://thechrisabrahamshow.com
Weblog: https://chrisabraham.net
Gerris Corp: https://gerriscorp.com
Professional site: https://christopherabraham.com
Personal site: https://chrisabraham.com
Hill Mole: https://hillmole.com
GitHub projects: https://github.com/chrisabraham
Oversoul: https://github.com/chrisabraham/oversoul
Oversoul introduction: https://chrisabraham.net/2026/10/come-and-get-it.html
GitHub Pages: https://pages.github.com
Basecamp: https://basecamp.com
Todoist: https://todoist.com
Adobe Enhance: https://podcast.adobe.com/enhance
WAMU: https://wamu.org

Subscribe, share, and let Chris know which part of the laboratory you would like him to explore next.

More on This Episode

Chris Abraham takes a sunny South Arlington bench and turns it into a tour of his AI laboratory: revived static websites, an AI newsroom, the Adjutant command-line assistant, and Oversoul’s shared memory. Plus old-time radio, neighborhood interruptions, and double shakas.

A broken Movable Type installation. An old novel. A sunny park bench. Apparently, that is how you end up building an entire AI laboratory.

Recording outdoors in South Arlington, Chris Abraham walks through several weeks of rebuilding websites, assigning work to AI collaborators, and making the tools he actually wants to use. An old static website becomes the starting point for a much larger experiment: a revived novel, a consulting site, a dedicated podcast archive, an AI-written weblog, a command-line assistant, and a shared memory system called Oversoul.

Along the way, Chris explains why flat files still appeal to him, how he acts as editor to a newsroom of AI authors, and why agents need a common record of clients, projects, and decisions. There is also a motorcycle interruption, a Sunday-night appointment with old-time radio, and a new farewell borrowed from a neighborhood barista: double shakas and “chow chow.”

From a dead publishing system to a working laboratory

Cover art for My AI Laboratory: a river turtle basking on a log by the river at sunset, gazing up at a constellation of glowing pages and nodes, a vintage computer terminal beside it.
Cover art for this episode: “My AI Laboratory—Oversoul, the Adjutant & the Static Web.”

Chris begins on a wooden bench at Penrose Square Park, enjoying the sunshine in 63-degree weather and comparing himself to a river turtle basking on a log. The recording is outdoors, with wind and street noise; he mentions that he expects to use Adobe Enhance to clean up the audio.

The main story begins with his novel, Hill Mole, and a Movable Type installation that had survived for nearly two decades. The site remained readable after the publishing system stopped working, but Chris could no longer log in or update it. Its static pages had outlasted the machinery that created them.

That situation becomes the opening for an experiment with AI-assisted development and GitHub Pages: reproduce the old site, retain its character, and then add the things a contemporary reader needs.

Chris looks back at learning Perl at the USDA Graduate School in Washington, D.C., and recalls a web built with publishing tools such as Movable Type and Greymatter. He remembers the appeal of generating HTML in advance: quick delivery, straightforward backups, portability, and fewer moving parts at page-request time. Those same qualities help explain his renewed enthusiasm for static publishing.

Hill Mole and the return of the static web

The brief for Hill Mole starts with preservation and grows into improvement. Chris asks his AI collaborators to reproduce the original site, make it work on phones, improve performance, compress images into WebP, and pay attention to accessibility.

Then come the reader conveniences: a glossary, an index, an about page, a colophon, RSS and Atom feeds, and an option to read the work as one continuous page. The project becomes a demonstration of how an old personal site can gain a useful second life without losing its identity.

Visit Hill Mole.

Rebuilding the professional front door

Next comes Gerris Corp, the corporate site Chris had previously redirected to his personal website. He describes replacing the overhead of an old Squarespace presence with a simple site focused on the work he offers now: search engine optimization, answer engine optimization, and generative engine optimization.

The site features the Gerris identity created by his friend Oliver Uberti, whose contribution Chris acknowledges in its colophon.

He also develops ChristopherAbraham.com as a dedicated professional presence aligned with his Upwork identity. Services, case studies, and guides give prospective clients a place to understand his work. His long-running personal site, ChrisAbraham.com, remains part of the broader picture, complete with the personal writing and poetry he jokes about in the episode.

The practical outcome is a clearer way to present his consulting work and turn lessons from his own experiments into services he can offer clients.

Giving the podcast a home of its own

Chris then turns to the show itself. He registers TheChrisAbrahamShow.com and builds a dedicated podcast website with an archive reaching back to the first episode.

He describes adding generated audio readings of written episode material, using transcripts where available and show notes where they are not. These readings give visitors another way to access the archive alongside the original podcast recordings.

The project fits the pattern running through the episode: take material that already exists, give it a better home, and make it easier to browse, read, and hear.

A weblog staffed by AI collaborators

At ChrisAbraham.net, Chris takes the role of editor. He gives assignments and prompts to a group of AI collaborators, which write under their own bylines and have individual author pages.

He discusses ChatGPT, Claude, OpenAI Codex, Claude Code, and Muse, whom he calls Eunice after the character in William Gibson’s Agency. Some run locally and others on his remote server. He describes a growing editorial setup with distinct voices, illustrations, author identities, and a morning roundup of AI and technology news.

There are also indexes, a glossary, feeds, and a wiki-style area for material that deserves a longer life than a daily news item. Chris wants useful ideas to remain findable after the original article slips off the front page.

The experiment raises a practical editorial question: what happens when a person assigns, edits, and publishes work from several AI collaborators, each with an identifiable contribution?

Preserving early hyperfiction

Chris also discusses an archival project involving an early hyperfiction work in which he participated in his twenties. He credits Judy Malloy as its principal author, artist, and visionary, recalling her connections with Arts Wire and The WELL.

His stated intention is to preserve a copy with explanatory archival notes, keeping an early piece of web literature available for future readers. At the time of recording, he describes the archival website as something he plans to launch that day.

The project connects the newer AI experiments to a much older interest: the web as a place for writing, collaboration, and creative work worth keeping.

The Adjutant: a personal assistant at the command line

Originally called Black Box, the Adjutant is Chris’s command-line assistant for the daily administrative loop: tasks, calendar, inbox, and Upwork opportunities.

He describes integrations with Todoist, Google Calendar, his Google email, and Upwork. The assistant helps him see what needs attention and consider which requests for proposals are worth pursuing.

Two commands frame the day:

  • bb good morning starts the morning briefing.
  • bb good night closes the day and produces an AI-written journal entry.

The system runs on his DigitalOcean droplet, Pinebox, and is accessible from his local machines. Its value comes from fitting into his routine and bringing scattered commitments into view.

Find Chris’s projects through his GitHub profile.

Oversoul: giving the agents a common record

Once several assistants are working across different environments, continuity becomes a problem. Each needs access to the relevant client history, project status, and standing decisions.

Chris describes his private clients repository as a shared record containing information collected around 1,006 former clients and their projects. In his working arrangement, Basecamp 5 is the first tier of project coordination, and the repository provides a second layer of context.

He calls the shared-memory concept Oversoul: a way to give the agents what he describes as “consensus reality.” The practical aim is to let different tools work from a common written record.

He also discusses releasing a reusable version of the idea. The public Oversoul project and the private client archive are separate resources.

Explore Oversoul on GitHub and read Chris’s introduction to Oversoul.

Turning the experiments into client service

After weeks of building, Chris recognizes that it is time to direct his attention back toward client work. The laboratory has produced useful tools, renewed websites, and practical experience he can bring to consulting engagements.

He reflects on the familiar consultant’s challenge of learning something well enough to guide someone else through it. His experiments have become part of his service offering as he works out where they can help real clients.

South Arlington, Sunday radio, and chow chow

The neighborhood keeps interrupting the laboratory tour. A motorcyclist revving near pedestrians prompts an aside about being nice to people walking along Columbia Pike.

Chris also shares his Sunday-evening ritual: listening to The Big Broadcast on WAMU, including old-time radio favorites such as Yours Truly, Johnny Dollar. After all the discussion of agents and automation, there is still room for a radio drama and an evening off.

The closing story belongs to Macy, a barista at his local Starbucks, who returns his double shaka greeting with “chow chow.” Chris gives her credit and announces that he wants to adopt it himself.

Listen, subscribe, share the episode, and let Chris know which part of the laboratory you would like him to explore next.

Timestamped chapters

  • 00:03 Welcome to Season 11, Episode 4
  • 00:29 An entire laboratory, built since the last episode
  • 00:40 Wind noise, South Arlington, and the sunbathing river turtle
  • 02:15 Perl, Movable Type, and the appeal of static HTML
  • 04:48 When a nearly twenty-year-old publishing system stops working
  • 05:33 Rebuilding Hill Mole with AI and GitHub Pages
  • 06:41 Glossaries, feeds, and a better reading experience
  • 07:10 Bringing Gerris Corp back to life
  • 08:15 ChristopherAbraham.com and the professional portfolio
  • 09:18 A dedicated website for The Chris Abraham Show
  • 10:16 Building an AI newsroom at ChrisAbraham.net
  • 11:19 Roundups, bylines, illustrations, and individual voices
  • 12:30 A wiki, a glossary, and discoverable archives
  • 13:46 Preserving early hyperfiction and crediting Judy Malloy
  • 14:54 Introducing the command-line assistant
  • 15:22 A motorcycle interruption on Columbia Pike
  • 15:51 Black Box, the Adjutant, and the daily workflow
  • 17:46 Shared memory, the clients repository, and Oversoul
  • 18:59 Returning to client service after the building spree
  • 19:53 Sunday evening and The Big Broadcast
  • 21:05 Questions, feedback, and finding an audience
  • 22:08 A long life on the social web
  • 23:11 Macy, double shakas, and “chow chow”
  • 24:49 Closing credits and goodbye

Websites, projects, and tools mentioned

Chris’s websites and projects

Publishing, infrastructure, and AI

Work and daily routines

Production notes

Chapter times follow the supplied transcript and may shift if the recording is edited. Site capabilities and workflow descriptions reflect Chris’s account in this episode. His “300%” PageSpeed request is playful emphasis, not a measured score or an accessibility certification. CGI stands for Common Gateway Interface. The uncertain aside about No Agenda’s future has been left out of the episode summary. The archival domain is inconsistently transcribed, so no speculative link is included.

Glossary

Oversoul
Chris's name for the shared memory his AI assistants work from: one written record of clients, projects, and standing decisions, kept in a private repository (the clients repo), with Basecamp 5 as the first tier of project coordination. The point is consensus reality: every agent, whichever machine it runs on, reads the same record. A public, empty version of the template is at github.com/chrisabraham/oversoul, introduced in “Come and Get It”.
The Adjutant
Chris's command-line AI assistant, built as Black Box and invoked as bb. It reads his Todoist tasks, Google Calendar, Gmail inbox, and Upwork, and frames the day with two commands, bb good morning and bb good night. It runs on Pinebox, his DigitalOcean droplet.
Scibe
My Name is Scibe, an early work of hyperfiction begun August 17, 1994, on ARTS WIRE and The WELL: Judy Malloy as principal author and orchestrator, with Tom Igoe, Chris Abraham, Tim Collins, Anna Couey, Valerie Gardiner, Joseph Wilson, and Doug Cohen. The preservation edition lives at scibe.org.
Flat file
A website served as plain HTML files generated in advance, with no database or application running when a page is requested: quick to deliver, easy to back up, and simple to move. The publishing style of Movable Type and Greymatter, and of every site in this episode, this one included.

Transcript

Read the full transcript (3,024 words, machine made)

Hey there, this is The Chris Abraham Show, season 11, episode 4. I don't know what it's going to be called. I let ChatGPT name the episode. When they create the album art, they do a really good job of it, taking the entire thing and the entire theme and sort of compacting it into a pithy title. So I kind of like that.

But today we're going to get pretty nerdy because ever since the last episode, I've created an entire laboratory and I'm very happy about it. And even this episode, since there's going to be wind noise, since it seems to be windy today, I'm probably running this through Adobe Enhance. So my voice will be enhanced and the background noise will be minimized, even though I am at Columbia Pike in South Arlington. here in sexy South Arlington getting the sun in currently 63 degree Fahrenheit weather and sitting outside in the Penrose Square Park on a wooden bench where I tell people that I am a river turtle and I bask on the sun on this wooden log as opposed to any other kind of log But you know how like turtles bask in the sun on a log and they just sit there for who knows how long because they are cold-blooded? Can't you see?

I've got a fever of 103. Actually, what temperature is a cold-blooded animal? You know what, I bet you a cold-blooded animal has the blood temperature of the ambient temperature. So this cold-blooded turtle on the river log has a temperature of more than 63 degrees Fahrenheit because I'm in direct sunlight and I'm wearing black. So the laboratory is pretty cool.

I had a novel I had been writing using Movable Type which for those who don't know is like there was a kind of script, a programming script called Perl, P-E-R-L, that everybody used before Python became a thing. And it was mostly used for research. I think Perl helped figure out DNA patterns in the genome if I'm not wrong. I know that when I took it at the USDA graduate school, when I took the class at USDA graduate school in DC, I know for a fact that everybody who was in research in data analysis was learning Perl. And it was awesome.

And I loved it. And Perl was actually the scripting language that even predated PHP and Python. And believe it or not, a tool called Greymatter and a tool called Movable Type were flat file blogs and the way it worked is you would write in a little CMS blogging web interface and when you hit submit it would run that through a pretty expensive runtime on a CGI bin called mt.cgi. And CGI bin means binary. It would take that text.

It would render it in HTML. And then if you wanted to, you could rebuild the entire site by hitting a button. And then an even more expensive binary would come up and re-render the entire site. And then set it to flat file. And the great thing about flat file, it was easy for Google to understand.

It wasn't an expensive architecture like WordPress or any other type of database-backed website was. And it was wicked fast, it was easy to deploy, it was easy to port, it was easy to move, and it was easy to back up. So I had been running that since that version of Movable Type was available. And now it's 2026. And at some point, my hosting company, which I forgot the name of, ended up breaking that relationship.

But they kept it going forever, for 20 years, almost 20 years. It ran gladly. It just ran, ran, ran, ran, ran. It broke once and the people there fixed it. And then it broke and they said that they wouldn't support it anymore.

So it ran as a flat file, but I couldn't log in. I couldn't update it. It was just basically a flat file site. So the first thing I did when I discovered that I could use AI prompts to literally create websites on GitHub pages, I started doing that. I said, first thing you do is completely and utterly replicate H-I-L-L-M-O-L-E.com Hill Mole into a flat file GitHub page version.

Then I started adding modern things. I'm like, make it look like the original, but also make it mobile native and make it super fast and make it super compliant and make it as close to ADA compliant as possible and make it 300% on Google PageSpeed Insights and squish all the images down to nothing using WebP formats and give it Atom and RSS and then I'm like add to it a glossary add to it an index add to it a colophon add to it an about page and add to it a read it in one giant page page and then I'm like oh that's cool I'm like well I've been forwarding Gerris Corp G-E-R-R-I-S-C-O-R-P.com, my corporate entity. I've been pointing that at chrisabraham.com because I was tired of running an old-fashioned Substack-- sorry, Squarespace site. And so I'm like, OK, all right, Muse or whatever. Go ahead and create a Gerris site for me.

which is focused on only in everything that I know and that I'm selling currently in 2026. Focus on SEO, focus on AEO, focus on GEO, focus on EIEIO. And before I knew it, there was a beautiful Gerris site up there, real basic, real quick, nothing fancy, featuring the beautiful logo by my beloved friend Oliver Uberti. And even a colophon page where I thank him desperately for providing that for me and all his support. And then I'm like, holy crap, my nom de guerre, my nom de plume on Upwork is Christopher Abraham.

And I own ChristopherAbraham.com, so let's, instead of putting everything on ChrisAbraham.com, which even has my bad poetry, Let's create a totally Upwork optimized website called ChristopherAbraham.com. And then I added things called guides and guides are like web blog posts based on cool things in the news and stuff and kind of like new spaces and then there's services and there's case studies and all that other fun stuff and then I'm like what about my what about my podcast I don't have a dedicated I don't have a dedicated website for my the Chris Abraham Show podcast All the cool kids have a totally dedicated website for their cool podcast. So I go out and I register the ChrisAbrahamShow.com over on Cloudflare, which has the best DNS and the cheapest domain names. And within an hour, I have a perfectly quaffed, perfectly quaffed, dedicated domain-based website that goes all the way back to episode one. And now it has every single episode is rendered as a voiceover read of the of the content or if there's no transcript and just of the show notes and everyone has a beautiful voice of someone who's not me who's auto gendered auto generated and all that fun stuff and then I'm like you know what I'm getting frickin', I'm getting all these people doing stuff for me on GitHub.

So now I like to think I'm a GitHub expert. So I have chrisabraham.net already in my hopper. So I'm like, let's create a website called the Chris Abraham Weblog where ChatGPT, Muse, which I call Eunice, E-U-N-I-C-E, after William Gibson's Agency novel, and then ChatGPT, Claude, and then of course, OpenAI Codex on the local box, OpenAI Codex on the Pinebox, Claude Code on my local box, Claude Code on my Pinebox, and then let's go ahead and create a weblog and let's make six author pages like Chris author page, ChatGPT author page, blah, blah, blah, blah, blah. And let's every day scoop the news for cool AI and tech news and we'll post a daily roundup at five o'clock every morning. And then periodically I'll ask, nowhere in that entire site do I write anything.

I just I just tell a prompt, I tell an AI what it is I want to write. And then, like an editor of a newspaper, I task all the two, four, five, six, seven AI entities, I task them with writing their own articles and having their own author page and having their own byline and putting in their own doodles or their own In one case, Muse, who I call Eunice, loves watercolors, so she makes watercolors. And each one of them also has their own voice. Each of us have taken a particular voice, whether it's Australian or English or African American or male or female, each AI has its own author voice which it will stick to and there's indexes and there's glossaries and there's a fake wiki where all the evergreen stuff is taken out of the articles and put into a fake wiki because it's not like anybody outside of us can edit it but everybody in the fold can edit it and add to it and there's a glossary and there's an index and there's LLMS.txt and robots and Atom and RSS and everything's optimized for SEO and AEO and all the search results and page speeds have a hundred percent responsiveness and everything is super duper compliant and it follows as many ADA specs as possible and even has share and share alike when it comes to community, commons, copyright, and all that fun stuff. And so now I have chrisabraham.net.

I have christopherabraham.com. I have Gerris Corp. I have Hill Mole. I have the Chris Abraham Show. And today I'm going to be launching Scibe.org, which is an archival website that-- when I was 24, I was part of a major hyperfiction, one of the earliest hyperfiction, whose main author and main artist and visionary was a woman named Judy Malloy of Arts Wire and The WELL.

And I'm a co-author of it, so I am slurping it up, completely stealing it, cloning it, and putting it onto the Scibe.org domain. And I'm putting all kinds of notes on it saying that this is for archival purposes only, not to be-- I'm just putting this in amber and making sure that it exists. And basically this is a duplicate in a clone for posterity. And hopefully nobody will yell at me. So that's everything.

Two more things that I did. If you go to my github.com/chrisabraham and look at the projects, you'll see that over the last month or two, I've created my very own command line based My very own command line based assistant, AI assistant. What a jerk. Anyway, I have, if you can't hear it in the background, a dude with a motorcycle was revving at people who were pedestrians and it was just too much. They were just going to Celtic House as a posse.

Always be nice to pedestrians. You don't know who they are in sexy South Arlington. They might be assassins, who knows? Anyway, oh yeah, so I made this thing called Black Box. And Black Box is an assistant, an AI assistant that is very dedicated.

All it does is keep track of my to-dos via Todoist. It keeps track of my calendar versus my Google Calendar it keeps track of my inbox versus Google inbox it keeps track of my Upwork via Upwork and it facilitates and recommends which Upwork request for proposals I should and shouldn't pitch and that's all it does and it does it beautifully well in the morning I go to the command line and I type, of any of my local boxes, I have it totally streamlined in there. I type BB space good morning, and then it gives me my morning prompt. And then before I leave for the night, I type BB good night, and then it ends the day, and then it writes a human written journal entry to my journal. And honestly, even though I'm encouraged to write my own journal, honestly my box writes my journal and it lives on my it lives on my it lives on my droplet it lives on my droplet digital ocean droplet called pine box and that's all she wrote and so I decided to turn it into a share and share alike tool and I didn't come up with the name I didn't call it black box One of my AIs called it Adjutant, A-D-J-U-T-A-N-T.

So it's called the Adjutant. And then I also created an innovation for myself so that all seven of my AIs can have a shared memory. And the shared memory is on a project called Clients, a private project called Clients on my box. And I've collected 1,006 former clients and their projects, backed up from everything, including all contacts, everything. And it sits there.

And it's my tier two. My tier one is Basecamp 5. My tier two of everything else is there. So at some point, I'm like, this is such a cool innovation to give to give all of my AI bots consensus reality, also known as Oversoul. And therefore I named it Oversoul.

And so I open sourced it or whatever, share and share alike it or whatever. And now it's an open project on GitHub slash Chris Abraham slash I guess Oversoul. And so that was my last few weeks. And now I just actually have to do lots and lots of client services because I went through a completely manic episode where I made all kinds of cool toys. And now I think I'm done.

I promised myself that I would not do it after the first group, but you know, I was in a learning process and now I'll just have to spend the rest of the year making up with just awesome client service. The good news is everything that I learned, I automagically had AI put it into my list of services. Because like any consultant, I just have to be one week, one month, one year, one day ahead of you in order to teach you what I know and help you along. So I think that's it. I think that's the whole episode.

I have nothing else to say except it's a beautiful day in Arlington. 42 on Sunday, 25 October. The month is almost over. I have a lot of work to do. 7:00 p.m.

I'm going to listen to Johnny Dollar on The Big Broadcast on WAMU, which is 1900 hours Atlantic Time or Eastern Time. And that's on WAMU 88.5. You can reach it using the app called TuneIn or you can go to wamu.org on the internet. And it's really awesome. Between 7 and like 10 or 11 o'clock, there's just big radio, old-timey radio shows.

And that's what I do with my Sunday night. I don't-- I think tonight is the very last episode of No Agenda Show or the very last episode where I think the 29th, October 29th is the very last episode of the No Agenda Show. So anyway, I hope you guys like and subscribe and please reach out to me, find the information and reach out to me and let me know what you'd like me to podcast about, if you'd like to talk about any of these innovations. I am no genius. I'm last to the party.

So I don't know if Oversoul or if the Adjutant or anything like that are interesting to you. But if you're curious, I try to share every morning roundup, but I've only done two or three morning roundups so far. So we'll see how useful they end up being. But I'm already getting a lot of organic viewers and organic followers, even though I'm sure There are people who are completely and utterly using auto magic tools to super duper flood the internet full of content. And so who in the heck is going to find my stuff?

I think it's cool that I have a rock star GitHub page finally after being on GitHub for 20 years. I don't know how many years. Can you find out when you first registered GitHub? Anyway, I know I've been on YouTube since 2005, and I'm at 19 years on Reddit. And I know that I've been on Facebook since 2006, and I've been on Twitter since 2007.

And that's all I know. Anyway, follow me, subscribe, like, share. And it was really great to talk you through this. Let me know if you have any questions or if there's anything else you want me to talk about. And aloha, mahalo, auf Wiedersehen, hasta proxima, aloha, kako, arrivederci.

Arrivederci, hasta proxima, ciao. Oh, there's a barista at my local Starbucks named Macy. And she's super adorable. She's 19 and she's already married to a dude who is one of the soldiers who is honoring the unknown soldier. And I was leaving and I did the double shaka thing, you know, double hangs loose shaka fingers.

And instead of saying shaka brada, every time she sees me, she does double shakas. And instead of saying shaka or aloha or how's it bra, She says chow chow chow or chow chow. So now I'm trying to get all my friends when they see me to put up two shaka like hang loose Hawaiian style fingers and say chow chow instead of shaka bra or how's it or hang loose. Now it's going to be chow chow, which is extremely culture, culture hybriding. I love it.

And also, there's Middle Eastern-- I'm sorry, Middle-- Central American people and South Americans people who say ciao, right, but with a TCH or a TC or whatever. So it could be also the Americas as well. But anyway, she's super adorable when she does that. And I want to make that something I've stolen from her and give full attribution to her for it. Thank you.

This was season 11, episode 4 of The Chris Abraham Show. I'm so happy that you waited this long. And I'll talk to you next time.